Serendipitous Double Exposure of Found Film

double exposure

Example frame of double exposed film from 1980s

The latest series of photos I’ve posted to Flickr are very unusual and need a bit of explanation for anyone to make sense of what they’re seeing. The shortest possible way of describing it is this: you’re looking at double exposures made on film with two different cameras and two decades elapsing between exposures. Make sense? Probably not, so read on for the longer version.

I collect a lot of Vivitar cameras in order to test, photograph, and document them for Camera-Wiki.org where I maintain the Vivitar articles. I bought a camera bag containing a Vivitar v2000 35mm SLR with lenses and accessories at an estate sale in April, 2013. Also in the bag were several rolls of Kodacolor film. All but one of the rolls of film were still sealed in their box. The remaining one was unboxed but the leader was still visible, so I assumed it was unexposed.

Sometime later I obtained a new-in-box Vivitar IC101 Panorama camera. I wanted to shoot with this one right away, so I pulled my film box out of the fridge and looked at my film supply. I had all that shiny new expired film from the recent v2000 purchase. I selected the open roll and loaded it into the IC101. I shot a series of panoramic shots of the Las Colinas canals and a few shots of scenes in Deep Ellum near downtown Dallas. I dropped the film off at The Color Lab for processing, where Robert noted the film can artwork dated the film to the mid 1980s.

I picked up the film later and was surprised to see a series of double exposures. The owner of the Vivitar v2000 had shot the film and rewound it only partially, leaving the leader sticking out, then returned it to the camera bag where it stayed for 25 or so years until I found it at the estate sale and shot the second set of exposures on the same film.

The earlier set of exposure were full frame 36mm x 24mm shots taken at a now defunct water park in Galveston, TX called Sea-Arama Marineworld. There are also a few shots of nearby historic architecture in Galveston. These shots were superimposed with my recent shots of Las Colinas and Deep Ellum shot in 36mm x 13mm panoramic format. The results are somewhat unusual compared to other cases of double exposure, perhaps because of the extreme age of the film. Almost every frame has a unique color shift or effect. While most frames show a blue shift, several have a distinct green or red shift. In some cases, only the panoramic portion of the double-exposed image is visible, in other cases the entire frame is visible. In some frames the modern exposure wins out and the older exposure is only partially seen. In others the reverse is true.

Ok, so now that you know the backstory, go check out the photos!

Art Conspiracy Mounted

Decapitated Robot, my piece for the ArtCon Mounted auction

Decapitated Robot, my piece for the ArtCon Mounted auction


This year’s Art Conspiracy SEED auction is called Mounted and has a faux taxidermy theme. Here’s how ArtCon describes it in their official news release “Conjuring visions animal, vegetable, mineral and digital, Life in Deep Ellum will be transformed from a gallery space into a lodge-like, electronic animalistic mounted dream sequence that only those crazy Art Conspirators can produce.” It’s coming up tonight so check it out if you can. My piece for the auction is called Decapitated Robot and it’s made entirely from found objects. I had to come up with a back story to explain the piece, and it goes something like this:

After a survey team crash landed on an alien planet, their robot turned homicidal due to a cognitive viral infection of unknown origin. The ensuing struggle resulted in many dead crew members and one decapitated robot. The survivors mounted the robot’s head on an airlock access panel and hung it in their camp as a reminder of their lost comrades.

So the idea was to the create something that could plausibly pass for an airlock hatch. In an ideal world, I’d live near an airplane grave yard where I could round up some kind of hatch but I had to make do with more mundane parts. Fortunately, I discovered that pretty much anything can conjure up the right idea if you apply diagonal airlock hazard stripes.

The robot head itself is made entirely from found metal objects from my personal junk stash. The face was once part of an Electrolux vacuum cleaner. Add in a handful of fasteners and adhesives from the local hardware store and you have what will hopefully pass for a severed robot head. If you want to see it in person, come by tonight and check out the auction. All the money goes towards the costs of the big Art Conspiracy charity auction this fall, which will benefit a local charity (this year’s beneficiary will be announced at tonight’s event). There will be lots of crazy art, food trucks, and bands.