Kronos Quartet Brings Sun Rings to Dallas

Kronos Quartet played at McFarlin Auditorium in Dallas last week. I managed to get some pretty good seats for the performance and took Susan along. We’d previously seen Kronos play live in Austin with the Philip Glass ensemble a few years ago. This time they were accompanied by the Women’s Chorus of Dallas and the Turtle Creek Chorale. They performed a 2002 piece called Sun Rings which was composed for them by Terry Riley. The work included a visual component designed by Willie Williams. The piece was commissioned by an unusual patron – NASA.

I had no idea NASA had an art program. Apparently their goal is to create works of art that will inspire future genreations of engineers and scientists. In this case, Terry Riley composed the music around sounds recorded by the plasma wave sensors on Voyager, Cassini, and other NASA space probes. Scientist Don Gurnett who has been working with plasma wave sensors for over 40 years, selected his favorite sounds and provided them to Riley.

The work combined the live music of the string quartet and vocals with a synthetic soundtrack composed by Riley from the the plasma wave sounds. On top of this, each performer had a control stalk with a proximity sensor at the tip attached to their music stand. By waving their hand over it, they could trigger additional plasma wave samples randomly from preselected batches that matched the movement of the piece. This causes each performance to have a unique sound while still retaining a conventional musical structure.

During the performance, there are also background visuals that alternate between color washes and a series of graphics based on the Voyager probe’s golden record operating instructions which explain to aliens how to decode and play the record carried on the probe. The instructions start with a diagram illustrating the states of a hydrogen atom, and proceed from there to the construction of a record player, reproducing the sound, decoding the embedded video waveforms, and reconstructing the video images. (no doubt an achievement that would land some lucky alien a story in their equivalent of Make magazine). The performers are also surrounded by a large number of light tipped rods which vary in color and intensity during the performance, at times giving the impression that the performers are floating in the void of space and at other times are reminiscent of candles.

We both enjoyed the music and found the performance as a whole more than interesting enough to fill the hour and half length. As an added bonus, the member of Kronos hung around for a little Q and A event after the show. Surprisingly only about a dozen members of the audience stayed to ask questions and listen to stories.

Happy New Year 2001!

Happy new year and welcome to the 21st century and a new millennium! I’ve been on a news-posting sabbatical since the middle of November and now I’m back. After a year and a half of posting almost daily news updates, I needed to take some time off to avoid total burn-out. I’m pleased to report getting a few emails over the last month from people who actually read these news postings either here or on Advogato, wondering what had happened to me. Just a little time off – and don’t worry, you didn’t miss out on much.

Let’s see, the only interesting thing I remember from November is getting to hear a live performance of Philip Glass and the Kronos Quartet in Austin. December was a bit busier. Work sucked up a lot of my time as things at NCC continue to pick up dramatically. I did manage to take some time off for Christmas shopping and various traditional Christmas-time activities.

Texas weather was as unpredicatable as ever. I mowed the lawn for the last time of the year in mid-Decemeber and a week later it was below freezing. We’ve been alternating between high temperatures near 70F and sub-freezing for a couple of weeks. (We actually got a tiny amount of snow yesterday.)

Susan and I ended up with quite a pile of new CDs this Christmas. Some were gifts and some we got with gift certificates. So we’ve survived the miserable cold weather by staying indoors and listending to the Philip Glass 5th Symphony, The Complete Works of Edgar VarĂ©se, several Dvorak symphonies, as well as some Honegger, Holst, Liebermann, and Shostakovich among others. One interesting work that we haven’t listened to yet is “Uses of Music in Uttermost Parts”, a collaboration between Ursula K. Le Guin and Elinor Armer. This appears to be out of print – I ran across it in a used book store. I’ll report back after we have a chance to listen to it.

There’s a lot more to write about but I’ll try to spread it out over a few days.